| Search Results |
| Name |
Category |
Credit |
Tenure[show] |
| ALASCIA, VINCE |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (ink/) 1969-71 | |
| ANDERSON, HOLLY |
| | Name and vital stats |
| | | ANDERSON, HOLLY (artist) | |
| | ARTPOLICE |
| | | ARTPOLICE DIGEST~ (pen/ink/) 1991 mini | |
| | | ARTPOLICE NEWSLETTER~ (pen/ink/) 1980-81 mini | |
| | | ARTPOLICE~ (pen/ink/) 1978 mini | |
| ARAGONES, SERGIO |
| | MARVEL COMICS |
| | | HOLLYWOOD SUPERSTARS (pen/ink/) 1991 [Imprint: EPIC] | |
| ARCHIE PUBLICATIONS |
| | Title published |
| | | CHERYL BLOSSOM (GOES HOLLYWOOD) #1-3 1996-97 | |
| ARLINGTON, GARY |
| | SAN FRANCISCO COMIC BOOK COMPANY |
| | | SALLY STAR HOLLYWOOD GAL SLEUTH~ (ed/) 1972 | |
| ASHERMAN, ALLAN |
| | Print Media (non-comics) |
| | | Writer: Trade paperback about Hollywood gossip late-1980s | |
| AXE, RONALD |
| | Performing Arts |
| | | Writer: Hollywood comedy with writing partner Sol Weinstein | |
| BAKER, MATT |
| | AC COMICS |
| | | MITZI IN HOLLYWOOD (pen/ink/) 1993 reprint | |
| BALENT, JIM |
| | Family in arts |
| | | Parent: Holly Golightly | |
| BARREAUX, ADOLPHE |
| | Comics in other media |
| | | DAN TURNER HOLLYWOOD DETECTIVE (pen/ink/) 1943-44 in Trojan pulps | |
| BEAUMONT, CHARLES |
| | Performing Arts |
| | | Actor: Radio: Hollywood Hi-Lights | |
| | | Director & Writer: Radio: Hollywood Hi-Lights 1944 | |
| | | Director: Radio: Hollywood Hi-Lights | |
| BECK, DICK |
| | QUALITY COMICS |
| | | HOLLYWOOD SECRETS~ (ink/) 1950 | |
| BELLEM, ROBERT LESLIE |
| | Comics in other media |
| | | DAN TURNER HOLLYWOOD DETECTIVE (wr/) 1942-50 in Trojan pulps | |
| BENNETT, HOLLY |
| | Name and vital stats |
| | | BENNETT, HOLLY J. (writer) | |
| | OPUS GRAPHICS |
| | | LEJENTIA (wr/) 1987-88 | |
| BERTHET, PHILIPPE |
| | ACME PRESS (U.K.) |
| | | HOLLYWOOD EYE (pen/ink/) 1988 | |
| BETTER PUBLICATIONS |
| | Title published |
| | | STARLET O'HARA IN HOLLYWOOD 1948-49 reprint | |
| BLACK OUT COMICS |
| | Title published |
| | | HARI KARI: GOES TO HOLLYWOOD #1 1998 | |
| BOCQUET, JOSE-LOUIS |
| | ACME PRESS (U.K.) |
| | | HOLLYWOOD EVE (pen/ink/) 1988 | |
| BOLTINOFF, HENRY |
| | DC COMICS |
| | | HONEY OF HOLLYWOOD (wr/pen/ink/) 1950-51/61-62 filler | |
| | | IN HOLLYWOOD (wr/pen/ink/) 1941 filler | |
| BOYETTE, PAT |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (pen/ink/) 1970 | |
| BROOKS, HOLLY |
| | Name and vital stats |
| | | BROOKS, HOLLY (business) | |
| | Family in arts |
| | | Husband: Dennis Kitchen | |
| | KITCHEN SINK PRESS |
| | | Support (circ/) 1982-85 | |
| BUETTNER, CARL |
| | Syndication |
| | | HOLLYWOOD HAMS [Sunday] (wr/pen/ink/) c1940 unconfirmed | |
| CAPPELLO, ART |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (pen/ink/) 1970-71 | |
| CHAMBERS, ELLIS |
| | Biographical |
| | | Aka HOLLY CHAMBERS | |
| | Pen names |
| | | E.C.; H. R. C.; HOLLY | |
| CHAMBERS, HOLLY |
| | Name and vital stats |
| | | CHAMBERS, HOLLY (= ELLIS CHAMBERS) | |
| CHARLTON COMICS |
| | Title published |
| | | FOR LOVERS ONLY #[60-87 1971-76 was HOLLYWOOD ROMANCES | |
| | | HOLLYWOOD ROMANCES v.2 #[46-59 1966-71 | |
| CHARYN, JEROME |
| | Print Media (non-comics) |
| | | Writer: Non-fiction: Movieland: Hollywood and the Great American Dream [book] 1989 | |
| CHRISTENSEN, DON |
| | Performing Arts |
| | | Writer: Radio: Stars Over Hollywood [national prize winner] 1946-49 | |
| CITRON, SAM |
| | QUALITY COMICS |
| | | HOLLYWOOD SECRETS~ (pen/) 1950 | |
| COLLETTA, VINCE |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (ink/) 1968 | |
| COSTELLO, MATTHEW |
| | DISNEY PRODUCTIONS |
| | | HOLLYWOOD KIDS, THE (wr/) 1992 | |
| CRAIG, CHASE |
| | Syndication |
| | | HOLLYWOOD HAMS (wr/pen/ink/) 1938 | |
| CRANDALL, REED |
| | I.W. PUBLICATIONS |
| | | HOLLYWOOD SECRETS OF ROMANCE~ (pen/ink/) 1958 reprint | |
| DARK HORSE COMICS |
| | Title published |
| | | BLANCHE GOES TO HOLLYWOOD #1] 1993 | |
| | | OTIS GOES HOLLYWOOD #1-2 1997 | |
| DAVIS, JACK |
| | Print Media (non-comics) |
| | | Artist: Album covers: 1957-96 The Rise and Fall of the Great Society '60s; The Happiest Girl in the World '61; Bloodstone: Train ride to Hollywood '75 | |
| DC COMICS |
| | Note |
| | | 1966 ARLEIGH PUBLISHING (romance comics group, wholly owned by '61) | |
| | Title published |
| | | FUNNY FOLKS [aka HOLLYWOOD'S FUNNY FOLKS] #1-26/27-60 1946-50/50-54 | |
| | | LOBO: GOES TO HOLLYWOOD #1] 1996 | |
| | | MISS BEVERLY HILLS OF HOLLYWOOD #1-9 1949-50 | |
| | | VAMPS: HOLLYWOOD & VEIN #1-6] 1996 [Imprint: VERTIGO] | |
| DISNEY PRODUCTIONS |
| | Note |
| | | Aka HOLLYWOOD; WALT DISNEY PUBLICATIONS; DISNEY COMICS | |
| | Title published |
| | | ARACHNOPHOBIA #1] 1990 TPB [Imprint: HOLLYWOOD] | |
| | | DINOSAURS #1-2 1992 [Imprint: HOLLYWOOD] | |
| | | INDIANA JONES #1-3- [Imprint: HOLLYWOOD with DARK HORSE] | |
| | | ROCKETEER: THE OFFICIAL MOVIE ADAPTATION #1] 1991 TPB [Imprint: HOLLYWOOD] | |
| | | YOUNG INDIANA JONES CHRONICLES #1-8 1992 [Imprint: HOLLYWOOD with DARK HORSE] | |
| DURANONA, LEO |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (pen/ink/) 1971 | |
| DWIGGINS, CLARE |
| | Syndication |
| | | GALLANT CHOLLY [Sunday] (wr/pen/ink/) 1901 for Philadelphia Inquirer | |
| ELLSWORTH, WHITNEY |
| | DC COMICS |
| | | HOLLYWOOD SCREEN SHOTS (wr/pen/ink/) 1936 | |
| | | Support (ed dir/) 1951-59 [imprint: NATIONAL PERIODICALS] retained title but was active with DC properties in Hollywood; see Irwin Donenfeld | |
| EVANIER, MARK |
| | MARVEL COMICS |
| | | HOLLYWOOD SUPERSTARS (wr/) 1990-92 [Imprint: EPIC] | |
| FANTAGRAPHICS BOOKS |
| | Title published |
| | | TOR JOHNSON: HOLLYWOOD STAR #1] 1991 [Imprint: MONSTER] | |
| FASS, MYRON |
| | TOBY PRESS |
| | | DR. ANTHONY KING, HOLLYWOOD LOVE DR. (pen/ink/) 1952-54 and some covers | |
| FEATURE COMICS |
| | Title published |
| | | HOLLYWOOD FILM STORIES 1950 | |
| FISCH, SHOLLY |
| | Source (some data) |
| | | SHALOM FISCH | |
| | Name and vital stats |
| | | FISCH, SHALOM [1962- ] (writer) | |
| | | FISCH, SHOLLY (= SHALOM FISCH) | |
| | Education |
| | | Ph.D. (psychology) New York University | |
| | Family in arts |
| | | Sister: Mindy Fisch Mellul | |
| | Other career notes |
| | | Director of Research: Square One TV, children's TV workshop | |
| | Promotional comics |
| | | LEAD THE SILENT THREAT / EL PLOMO UNA AMENAZA SILENCIOSA~ (wr/) 1996 for Children's Television Workshop | |
| | DC COMICS |
| | | TALENT SHOWCASE~ (wr/) 1985 | |
| | MARVEL COMICS |
| | | BAR WITH NO NAME (wr/) 1992 | |
| | | CAPTAIN AMERICA (wr/) 1989 | |
| | | CLIVE BARKER'S HELLRAISER~ (wr/) 1989-92 [Imprint: EPIC] | |
| | | IRON MAN (wr/) 1988/93 | |
| | | MARVEL AGE~ (wr/) 1984-92 | |
| | | SPIDER-MAN AND THING (wr/) 1987 | |
| | | VOLSTAGG (wr/) 1990-91 | |
| | | WHAT IF BEN PARKER'S NEPHEW . . . ? (wr/) 1989 | |
| | | WHAT THE--?!~ (wr/) 1988-92 | |
| | MILESTONE PRESS |
| | | STATIC (wr/) 1994 | |
| FRAZETTA, FRANK |
| | Comics in other media |
| | | DAN BRAND HOLLYWOOD DETECTIVE (pen/ink/) reprint in Capt. George's Comic World, a fanzine | |
| GARCIA-LOPEZ, JOSE |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (pen/ink/) 1970 | |
| GATES, HOLLY |
| | Name and vital stats |
| | | GATES, HOLLY (writer) | |
| | MARVEL COMICS |
| | | SPIDER-MAN (wr/) 1994-95 | |
| GEARY, RICK |
| | Animation |
| | | Animator or Production Artist: 1988 Murder at the Hollywood Hotel, feature film | |
| GENTILE, SAL |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (pen/ink/) 1968 | |
| GILL, JOE |
| | CHARLTON COMICS |
| | | HOLLYWOOD ROMANCES~ (wr/) 1966-71 | |
| GILLIAM, TERRY |
| | Performing Arts |
| | | Writer: Film: Monty Python's Life at the Hollywood Bowl 1982 | |
| GIUNTA, JOHN |
| | ST. JOHN PUBLISHING |
| | | HOLLYWOOD CONFESSIONS~ (pen/ink/) 1949 | |
| GOLIGHTLY, HOLLY |
| | Name and vital stats |
| | | GOLIGHTLY, HOLLY (artist) | |
| | Pen names |
| | | FAUVE (in adult comics) | |
| | Family in arts |
| | | Parent: Jim Balent | |
| | Additional biography |
| | | On the Web: www.jimbalentstudios.com/studio.htm | |
| | ARCHIE PUBLICATIONS |
| | | Various features (pen/ink/) 1990s | |
| GROSS, MILT |
| | Performing Arts |
| | | Writer: Hollywood films | |
| HARRISON, MAX |
| | Honors |
| | | Golden Platter Award Hollywood Appreciation Society and Southern Motion Picture Council 1985 | |
